The Mission of the VGoT:

To offer 21st-Century Americans the confidence to make their lives better and healthier, while maintaining our progressive stride towards the future. 

Great light in Joe's working studio on SE Holgate, Portland, Ore.

Great light in Joe's working studio on SE Holgate, Portland, Ore.

The VGoT Story: Making a Future for Americans

by Joe Wirtheim

I love things that speak to me, that conjure my imagination and memory. Making and collecting poster prints from the “Victory Garden of Tomorrow” can do both.

The future is an unknowable place where we can cast our imaginations, as well as our hopes and fears. The VGoT is an effort to tell the story of America, grounding it, and relating it to the modern era. A project like this should be attractive, fun and have a voice we can recognize. To find the right voice, I reached back in time looking for a real American story that would inspire us, and married that story to the domestic demands and hopes of the 21st Century.

Old “Victory Garden” posters from the ‘40’s, or other social good posters from the WPA ‘30’s, are wonderful to look at. There’s a sensible earnestness and urgency in the posters’ voice that is endearing. But I loved the way they demanded the viewer’s involvement.

Through posters, we see things iconically. Issues are brought to their basic essence instantly. I wanted to see work that is about reclaiming an American home life—a life that is actively in touch with what we consume. That is why I made the first VGoT poster prints back in 2007.

As a boy growing up just outside Dayton, Ohio, my father collected old Life magazines, and I would spend hours paging through America’s history. It was a “neat” story, and the power of the printed page was impressed onto me. Both my father and mother were also makers; my dad a furniture maker and construction worker; while my mom was often sewing clothes or working at a frame shop. I helped take care of the backyard vegetable garden, and mom made dinner nearly every night. Nothing fancy; spaghetti, roast beef, baked chicken, usually with canned vegetables if the garden was out of season. And almost always, my sister and I ate seated at a table we had set.

Its a simple thing, but I believe this small ritual has a big influence on me today. There’s a peacefulness that we get when we sit at a table together. Sharing and being together is what my wife and I value most.

Everyone who eats should have a relationship with their kitchen. The most satisfying meals are those you, or someone you love, craft at home. Setting a table, sitting down together, these are the essential core ingredients of civil society. We should have more meals together, and share more recipes.

I also believe people, especially families, should have a relationship with plants, and even animals, that they eat. It is an education to know plants and animals, especially ones that provide for us. There is a peaceful grounding that happens when you visit with your vegetables, and a tremendous amount of knowledge about care and patience is conveyed.

Eating fresh food that we prepare will never go out of style. In fact, I believe it will be a crucial part of our future. My posters speak to a vision for the future that will not simply arrive on its own, but rather is one that we plant today and water and care for through to the next generation. I want Americans to grasp the possibilities of the 21st Century and own it.

I enjoy daring a glimpse into the future, imaginging its possibilities, while considering an essential truth: that wherever humanity goes, so does a farm-garden. Off earth, it will be clear that we are fragile, complex creatures, who live best when we have a realtionship with what we consume.

Grow More in 2044!

Join me as I continue to unfold the stories of America’s “Victory Garden of Tomorrow.” Follow me on PinterestInstagram or Facebook to see what I'm getting into.

Feel free to Contact me with questions or comments.

The Studio

I'm Joe Wirtheim and here at my design studio, I love what I do: draw, think, make and do. It's my passion to communicate graphically and put creative ideas into action that drives me. I use illustration, type, color and layout to excite the viewer's imagination. I turn these graphic ideas into quality goods, which, I'm proud to say, are made here in the USA.

My design work has been recognized by Martha Stewart Living Magazine, by Organic Gardening Magazine, by the Portland Art Museum, the Design Museum Boston, among others, and our goods can be found in fine shops and homes across the United States.

This project is something I craft, in collaboration with others, at my tiny design studio in Portland, Oregon. I collaborate frequently with community groups, such as The Queen Anne Farmers Market in Seattle, the Just Food Conference in NYC, or the Funky Chicken Coop Tour in Austin. My posters do service for and are inspired by folks like these.


More Bio on Joe

I'm originally from a working-class suburb of Dayton, Ohio where I first studied industrial engineering. I was 25 when I quit my engineering job to go back to school for graphic design at a community college. I painted houses and worked at a food co-op to make it happen. By 2007 I had begun screenprinting posters that were retro yet modern and spoke to an alternative narrative for Americans. The food co-op experience just caused me to see things differently and I wanted to enjoy making something positive, hence food posters. A move to Portland enabled more school: a B.S. in Communication, Urban Studies and Journalism. And now a design studio where I'm constantly over-using the word 'neat'.

I currently live in SE Portland with my lovely wife, Taylor who is an elementary school teacher.


I spent 2013 living abroad working as a teacher, just for the experience of it. My neighborhood in South Korea was full of small urban farm gardens, which I enjoyed exploring.

The Places We've Been


2017, Food by Design: Sustaining the Future, exhibit at the Museum of Design Atlanta (MODA). Director Laura Flusche, PhD

2014, Feast and Famine exhibit at the Portland Art Museum, Portland, Oregon. Curated by Mary Weaver Chapin, PhD

2014, Medium and the Message exhibit at the Prague Design Center, Prague, Czech Republic.

2014, Green Patriot Posters exhibit at the Design Museum Boston, Boston, Massachusetts.

2013 - May, custom cover illustraiton for Organic Gardening Magazine

2013 - current, Graphic Advocacy exhibit at Massachusetts College of Art and Design, Boston, MA. Curated by Elizabeth Resnick, Phd

2013 August, Horticult, blog feature article and interview

2012 December, custom cover illustration of 1859 Oregon Magazine and feature article and interview

2012 November, These Salty Oats, blog feature article

2012 Spring issue, Folk Magazine, feature article and interview

2011 April, feature in Martha Stewart Living Magazine and product appearance on Martha Stewart Living television program

2010 May, feature in Martha Stewart’s Whole Living magazine